| if I made for less why there is no bright light in this life not all dark not be effective as a circle, and I were trapped inside deathlike life will yearn death life is really meaningless, such as whether this should be whether there is little hope for me I continue to hope will be a god .. my life has meaning ... although it may be only hope vain, but I will not stop hoping ..... for the meaning of life ..... |
Bb G F Eb
Bb G F
Only two more days, until your birthday
Eb
Yesterday was mine
You’ll be turning five
I know what it’s like, growing up without your father in your life
G F Bb Eb
So I pretend, I’m doing all I can
G F Eb
And I hope someday you’ll find it in your heart
G F
To understand
Bb Eb
Why I’m not around
G F Eb
And forgive me for not being in your life
Bb
I remember waiting
For you to come
G
Remember waiting
For you to call
F Eb
Remember waiting there to find nothing at all
I remember waiting
For you to come
Remember waiting
For you to call
Waiting there to find nothing at all
Bb G
Maybe someday
F
you really get to know me
Eb
not just the letters read to you
I pray I get the chance
To make it up to you
We got a lot of catching up to do
BOX CAR RACER
Box Car Racer was a side-project from two members of the band Blink-182, featuring guitarist Tom DeLonge and drummer Travis Barker. DeLonge formed Box Car Racer to experiment with and record ideas he felt were not "Blink-friendly", along with Travis Barker. David Kennedy from Hazen Street completed the trio and an eponymous album was ready to be recorded. Tom was insistent on a bass player, so he hired Anthony Celestino who was Kennedy's friend. Guests on the album included Mark Hoppus from Blink-182 on the song "Elevator", and Tim Armstrong from Rancid and Jordan Pundik from New Found Glory on "Cat Like Thief".
DeLonge and Barker claim the group was heavily influenced by Dischord emo, citing influences such as Rites of Spring, Fugazi and later era post-hardcore bands such as Quicksand.
Box Car Racer took a hiatus after their headlining tour in 2003. DeLonge has stated publicly that the project has served its purpose, and is now permanently defunct.(wikipedia)
So you just bought your first drum kit and you want to know how to play the drums. Or, maybe you don’t own a drum kit yet but you still have that passion to play drums. Well, you have come to the right place to learn. Learning how to play drums is actually very easy; you don’t need to own a drum kit at all when you are beginning. In fact, the first few steps in learning how to play drums involves you, 2 sticks and a practice pad. On this site you will learn how to play drums, how to play fills, how to play solos’s etc… This is the complete how-to for drumming! Follow these instructions and you are well on your way to drumming like the professionals!
The first steps to playing the drums is by counting. Without being able to count or understand time signatures, you are useless behind the kit. Everyone knows how to count to 4 – this will be the basis of your beat. Most basic rock drumming beats are in the time signature of 4/4, meaning there are 4 counts each bar. (or 4 counts before the beat repeats). From here, you want to follow your counting with your dominant (usually your right) hand. With this hand, hit the hi hat on every count. The rest is actually quite simple, now that you are counting, simply add your bass drum and snare drum on the counts. Add your bass drum on 1, and the snare on 3. This will be your basic drum beat.
Now that you have learned the basics on how to play drums, you will be able to see how beats are built around this basic pattern. If you can count to 4, you can play the drums, as I have just shown you. This is the basics to most rock drumming beats and grooves. Next you will want to practice stick control and drum rudiments. Learning how to play rudiments will help you build independence and speed around your drum kit. But do not go too fast at first, pace yourself. Make sure you have a feel for the drum set and your sticks. Start out with the two most common rudiments, the Single stroke roll and the Double stroke roll. Become very familiar with that basic 4/4 groove, so you can play it at different tempos.
Remember, you are a drummer whose main task is to keep everyone on time, so make sure your timing is very precise. Playing the drums is a lot more than just playing a beat on time – there’s much more to it. You want to feel the beat, feel the time, and feel the groove. There is also much you can learn about stick control. A drummer should be able to create the mood and groove for any song, adding fills and accents in to spice things up. Learning how to do this is not an easy task, but you are at the right place if you are interested! When you want to improve your overall skills on the drum set, check out these 2 powerfull articles and lessons: Increasing your stick Speed and control, and learning the double bass drum. Keep posted for upcoming lessons and the complete how to on the drums!(http://www.howtoplaydrums.com/play-drums/)
In 1985 in Washington, D.C., Ian MacKaye and Guy Picciotto, veterans of the DC hardcore music scene, took their music in a more personal direction with a far greater sense of experimentation, bringing forth MacKaye's Embrace and Picciotto's Rites of Spring. The style of music developed by Embrace and Rites of Spring soon became its own sound. As a result of the renewed spirit of experimentation and musical innovation that developed the new scene, the summer of 1985 soon came to be known in the scene as "Revolution Summer".[7]
Where the term emo actually originated is uncertain: the earliest print citation found so far appears in 1997,[8] although some claim that members of Rites of Spring mentioned in a 1985 Flipside Magazine interview that some of their fans had started using the term to describe their music.[citation needed]
Within a short time, the D.C. emo sound began to influence other bands such as Moss Icon, Nation of Ulysses, Dag Nasty, Soulside, Shudder to Think, Fire Party, Marginal Man, Foundation and Gray Matter, many of which were released on MacKaye's Dischord Records.
At the same time, in the New York/New Jersey area, bands such as Native Nod, Policy of 3, Rye Coalition, and Quicksand[9] were feeling the same impulse. Many of these bands were involved with the ABC No Rio club scene in New York, itself a response to the violence and stagnation in the scene and with the bands that played at CBGBs, the only other small venue for hardcore in New York at the time.
Following the disbanding of Embrace in 1986, MacKaye established the influential group Fugazi, and was soon joined by Picciotto. While Fugazi itself is not typically categorized as emo, the band's music is cited as an influence by popular second-wave bands such as Sunny Day Real Estate,[10] Far,[11] Braid,[12] and Jimmy Eat World.[13]
As Fugazi and the Dischord Records scene became increasingly popular in the indie underground of the early 1990s, new bands began to spring up.
Diary was released by Sunny Day Real Estate in 1994. The band performed on TV shows, including The Jon Stewart Show.
Inspired by Fugazi and Sunny Day Real Estate, Jimmy Eat World released the album Static Prevails in 1996 on Capitol Records.
A Cornerstone of the late-Nineties emo movement was Weezer's 1996 album Pinkerton, which was to be considered one of the defining emo records of the 90s and was said to have introduced emo to a larger and more mainstream audience.[14][15]
In 1997, Deep Elm Records released the first installment in a series of compilations called Emo Diaries, featuring tracks from Jimmy Eat World, Samiam, and Jejune.
While Jimmy Eat World had played emocore-style music early in their career, by the time of the release of their 2001 album Bleed American, the band had downplayed its emo influences, releasing more pop-oriented singles such as "The Middle" and "Sweetness". Newer bands that sounded like Jimmy Eat World (and, in some cases, like the more melodic emo bands of the late 90s) were soon included in the genre.[16]
2003 saw the success of Chris Carrabba, the former singer of emo band Further Seems Forever, and his project Dashboard Confessional. Carraba found himself part of the emerging "popular" emo scene. Carrabba's music featured lyrics founded in deep diary-like outpourings of emotion. While certainly emotional, the new "emo" had a far greater appeal amongst adolescents than its earlier incarnations.[17]
At the same time, use of the term "emo" expanded beyond the musical genre, which added to the confusion surrounding the term. The word "emo" became associated with open displays of strong emotion. Common fashion styles and attitudes that were becoming idiomatic of fans of similar "emo" bands also began to be referred to as "emo." As a result, bands that were loosely associated with "emo" trends or simply demonstrated emotion began to be referred to as emo.[18]
In a strange twist, screamo, a more aggressive sub-genre of emo that began in the early 90s, also had a reformulation of sound and has found greater popularity in recent years through bands such as Glassjaw.[19]
The difficulty in defining "emo" as a genre may have started at the very beginning. In a 2003 interview by Mark Prindle, Guy Picciotto of Fugazi and Rites of Spring was asked how he felt about "being the creator of the emo genre." He responded:
I don't recognize that attribution. I've never recognized "emo" as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly, I just thought that all the bands I played in were punk rock bands. The reason I think it's so stupid is that—what, like the Bad Brains weren't emotional? What—they were robots or something? It just doesn't make any sense to me.
—Mark Prindle, "Interview with Guy Picciotto". MarkPrindle.com (2003).(wikipedia)
the sinopsis; This story begins with Keenan, a new adolescent males who graduated high school, a six-year stay in Amsterdam with her grandmother. Keenan has a talent to paint a very strong, and he does not have a goal other than to become a painter, but the covenant with his father forced him to leave Amsterdam and return to Indonesia to study. Keenan received a lecture in Bandung, in the Faculty of Economics. On the other hand, there Kugy, women tend to be unique eksentrik, which will also be a lecture at the university the same with Keenan. Since small, Kugy loco-gilai tale. Not only have the collections and reading garden, he is also happy to write the tale. Cita-citanya only one: to become an interpreter tale. However Kugy aware that the author is not a tale of professional and easy to convince received environment. Do not want to be separated from the writing, Kugy then forward the study at the Faculty of Literature. Kugy and Keenan dipertemukan through pair Eko and Noni. Eko is a cousin Keenan, while Noni is a small friendly Kugy since. Except Noni, the Hijrah from Jakarta, and a lecture at the university in the same four Bandung.Mereka are finally carib. Slowly, Kugy and Keenan, who already adore each other, the transformation began. Secretly, without the opportunity to reveal once they fall in love. However, conditions at that time not completely possible. Kugy already have a sweetheart, classy guy named Joshua, alias Ojos (call with a haphazardly created by Kugy). While Keenan was dicomblangkan by Noni Eko and with a young curator named Wanda. Friendship gang that began four merenggang. Kugy then drown himself in a new occupation, that is, become a volunteer teacher at the school called an emergency Sakola Alit. There he met with Pilik, his most impish. Pilik and colleagues successfully taklukkan it with a tale about how to write their own stories of adventure, the title diberinya: General Pilik and Alit forces. Kugy write stories about the students that almost every day in a book to write, that he gave at the Keenan. Wanda Keenan proximity with the first mulus also start to change. Keenan disadarkan in a way that surprising that during this dream that he should wake up in the ground overnight. With careful destroyed, leaving Keenan lives in Bandung, and also his family in Jakarta. He then went to Ubud, live in the house of his mother, Pak Wayan. The period of time with the family-Pak Wayan, all of which are famous artists in Bali, starting treat liver injury Keenan slowly. The most influential figures in it is Luhde Laksmi, nephew Pak Wayan. Keenan can start painting again. Berbekalkan stories General Pilik Alit forces and given the Kugy, Keenan create serial paintings that became popular on the trail and the collector. Kugy, which is also very lost companions lonely and began in Bandung, re-arrange his life. He graduated from college as soon as possible and work in a bureau in Jakarta as an ad copywriter. There, he met with Remigius, one at a time of His brother. Kugy meniti career with the unexpected guess. A wonderful imagination and make it completely spontaneous melejit to be people who are in the office. However, Remi see something else. He likes Kugy not only because the idea-the idea, but also the spirit and unique quality that always radiated from Kugy. Remi and finally must acknowledge that he began to fall in love. Instead, Remi sincerity also eventually melt hearts Kugy. Unfortunately, Keenan can not forever live in Bali. Because of his father's health condition worsened, Keenan forced to return to Jakarta, because of his family to run the company does not have other options. The meeting between Keenan and Kugy not terelakkan. Even the four met again this gang. Overall the situation is already different. And again, their hearts tested. Acts of love and friendship during the five years ended with no surprises for all. Finally, every heart can only pasrah back in the flow of love that knows where to flow. As the paper boat in the moat dihanyutkan, the dam, in time, in the river, but always empty at the same place. Although sometimes bitter, sick, and disturb, but always know the heart indeed. | ||
